#arts and crops - Page 5

Lygia Clark: Painting as a field of experimentation

The Guggenheim Museum Bilbao presents Painting as a Field of Experimentation 1948-1958. A pioneer of abstraction, Lygia Clark (Belo Horizonte, Brazil, 1920-Río de Janeiro, Brazil, 1988) was a fundamental artist of the second half of the 20th century. The exhibition offers a new analysis of the formative years of the artist's life, a crucial period that was to become the first of the 20th century's most important periods.

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Champs-Elysées - History and perspectives: Go and (re)discover them!

On the Champs-Élysées, the city was built with infinite progress in mind. Three centuries after their creation, cars, noise, pollution, tourism, globalisation of the commercial offer, neglected gardens are hindering the use of the avenue and its appropriation by Parisians. The exhibition Champs-Élysées, histoire & perspectives, organised at the Pavillon de l'Arsenal until the

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What is the place of the individual in creation today?

::: 28/02 – Les Mardis de l’innovation, en partenariat avec l’Ecole nationale supérieure des arts appliqués et des métiers d’art (ENS AAMA, Paris), organise une conférence le 28 février, de 18h30 à 20h30, sur le thème « Quelle est la place de l’individu dans la création aujourd’hui ? » L’abondance

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Green Currents - Creating for the Environment

From March 17 to July 19, the EDF Group Foundation presents Courants verts, Créer pour l'environnement (Green Currents, Creating for the Environment), a major exhibition bringing together for the first time in France international artists committed to the ecological fight. Joseph Beuys, Barbara and Michael Leisgen, Lucy and Jorge Orta, Sarah Trouche, Nicole Dextras, Jéremy

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Archipel, at the Nantes Museum of Art: labyrinth at the heart of 20th and 21st century art

With the exhibition Archipel, the Musée d'arts de Nantes continues the dialogue begun in 2014 with Jean-Jacques Lebel and the works in his endowment fund. From Marcel Duchamp, to Gustav Klimt, to Paul Éluard and André Breton, the exhibition presents, like an archipelago, groups of 200 works from different periods.

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From art to trees

The Musée des Beaux-Arts de Brest Métropole is shaking up traditional codes by entrusting the exhibition to a group of local residents. This is a first in France. Until 16 May, the public is invited to discover "D'art en arbres", a unique exhibition whose works, half of which are from

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From the bipedal robot to the artificial heart, via the Minitel... The epic of prototypes at Arts et Métiers

From March 17 to June 28, 2020, the Musée des Arts et Métiers is giving pride of place to contemporary scientific and technical heritage. The exhibition Prototypes, from experimentation to innovation presents to the public nearly thirty precursor objects and instruments. First experimental models of bipedal robot, neutron trap, the

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Safra'Numériques: art and innovations are back in Amiens

Dancers, musicians, visual artists, lighting designers, scenographers, researchers, makers and beatmakers, artists and collectives broaden their fields of investigation, at the crossroads of disciplines for the 5th edition of the Safra'Numériques Festival - Festival of digital arts and new technologies: artificial intelligence, mapping, visual installations, live shows, robotics, ... Safra'Numériques celebrates

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The Strange Tales of Niels Hansen Jacobsen. A Dane in Paris.

This first exhibition in France devoted to Niels Hansen Jacobsen (1861-1941) invites visitors to a dreamlike dive into the world of the Danish sculptor and ceramist, a contemporary of Antoine Bourdelle (1861-1929). The exhibition is devoted to the Parisian years (1892 to 1902), of N.H. Jacobsen, who was established in Paris at the time, with Brussels and before the

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Palais de Tokyo presents "Future, Ancient, Fugitive. A French scene. »

L’exposition emprunte son titre à l’auteur Olivier Cadiot (1) pour dresser une cartographie subjective et sensible d’une communauté informelle d’artistes qui travaillent notre temps. Ils et elles sont né(e)s entre les années 1930 et les années 1990 et couvrent ensemble un champ très large de pratiques. Entre eux se dessinent

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